Come Dance With ME

Come dance with me, my love, I care not where.
On a sandy beach, our steps we shall share,
while the sun is high, we waltz, hot and slow,
as our thoughts take on a sensual glow,
and we dream of night, our bodies laid bare.

Take my hand, lead me to a field so fair
where we glide with daisies, without a care,
as rain patters down, and the sun sinks low,
come dance with me…

Hold me tightly in the crisp mountain air,
as dusk gives way to night, without a prayer.
Our bodies sway, ‘neath the moon’s argent glow, 
and we come together, a liquid flow.
With stars in our eyes, one more time, mon cher,
Come dance with me…

©️2021 KT Workman

(Note: A rondeau poem has 15 lines containing 3 stanzas—a quintet, a quatrain, and a sestet. Lines 9 and 15 are short: a refrain consisting of a phrase taken from the 1st line.

Rhyme scheme: a-a-b-b-a, a-a-b-R, a-a-b-b-a-R.)


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Mother

She rejoices when Spring spreads its green skirts,
Arranges them about its sun-draped form
And settles upon the tilled garden dirt
That basks beneath a bright blanket of warmth.

Seeds sprout, take root, raise their tiny green heads,
Reach for the sun, drink in April’s showers.
She picks the brash, ripe produce, tends the beds
With gentle hands and love’s healing power.

Seasons change, a chill creeps over the land,
Diminishes the sun, guides in fall’s winds.
Vegetables grow sluggish, as do the hands,
And winds once warm are replaced by cold friends.
Winter howls, its fangs frost-bite spring and she.
Spring will return...Mother, at last, is free.

©2021 KT Workman

(Note: A sonnet is a 14-line poem written in iambic pentameter. It contains and octave (presents the theme and develops it) and a sestet (which brings the poem to a conclusion).

Rhyme scheme: a-b-a-b, c-d-c-d, e-f-e-f, g-g.


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Goodbye

Goodbye, dear one, my friend, my confidant—

You knew me well, better than I knew you.

You listened while I talked, bared my dark soul,

Without judgment or contempt—just silence.

You soaked me in, absorbed my rambling thoughts,

Consumed my anger, never gave it back.

Though you were a battle-scarred knight with wounds

That had ravaged your body, caused you pain,

You spoke little of your own afflictions.

Instead, you listened, you heard what I said,

Did not dismiss me as silly or crazed

As others have done. You truly listened!

You gave unconditional love, my friend, 

Wanting nothing in return but my love.

And I failed you, though you said you failed me.



You are gone now, off to a better place.

Some call it heaven, I call it sweet peace.

I hope your soul mate, whom death snatched away

Before it took you, waits with a smile and

A hand to lead you home, that elusive

Place you had searched for most of your hard life.

Goodbye, dear one, until we meet again.



©️2021 KT Workman

Dedicated to my “partner in poetry” who passed away recently.

(Note: blank verse poetry does not rhyme, and is written in iambic pentameter. It has a consistent meter with 10 syllables per line, where unstressed syllables are followed by stressed ones.)

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Little Fish

Above the torpid water, summer sleeps
as the creek meanders along its way.
Big fish slumber in the shore-shaded deep;
in the reedy shallows, little fish play,
young and bold, they care not about the day.
They dart and splash, chase crawdads and minnows,
joyous with life, not like the old fellows.

©2021 KT Workman

(Note: Rhyme royal—7 lines long, 10 syllables per line.
Rhyme scheme: a-b-a-b-b-c-c)

Image by MeHe from Pixabay

Plinks

Drip-drip-drip, rain slides off the sheet-iron roof,
Plink-plink-plinks onto the wayward tin can
Placed by wily storms or fickle wind’s goof,
Who can rightly say, be it beast or man?

The rain cares not where the gentle drips fall,
Nor gives a thought as the plinks softly sing
To small ears listening behind safe walls,
Lulled to sleep by the drip-drip and plink-plink.

Silently they creep on tiny wet feet
Beneath a cracked pane of misted raised glass.
Aqueous drips and plinks, seldom they meet
Those to whom they sing at two AM past.

Plinks slowly lessen, lightly tread away,
Follow the drips as night steps into day.

©2021 KT Workman


(Note: A Shakespearean (English) sonnet consists of 14 lines written in iambic pentameter, and usually has 10 syllables per line. It has three quatrains and a couplet. Rhyme scheme: a-b-a-b, c-d-c-d, e-f-e-f, g-g.)


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Mama

Mom
so dear,
I still hear
your soft, sweet voice
in my memories
of a long-ago time.
I was small, you a giant,
quiet and gentle of nature.
You were homemade bread, killer of snakes,
dressmaker extraordinaire, cow milker,
gardener, canner, factory worker,
herder of children, a comfy lap,
the scent of vanilla, honest sweat,
a good example, warm heart,
rough-workened hands, bent body.
You were many things—
Mama to me,
home, sweet home,
safety.
Missed.

©2021 KT Workman


Happy heavenly Mother’s Day, Mama.


(Note: an etheree poem consists of 10 lines of 1, 2, 3, 4, 5, 6, 7, 8, 9, and 10 syllables. The lines can be reversed in order—10, 9, 8, 7, 6, 5, 4, 3, 2, and 1. And you can do a double etheree, like my poem here, which is 20 lines of 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 10, 9, 8, 7, 6, 5, 4, 3, 2, and 1. Or can be written in reverse order.)


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Come In

Come in,

Sit yourself down, take up your pen—

There, your favorite one.

Enough ink yet

Remains,



Remains

To boldly write down your good deeds.

Yes, there’s not so many,

Less than a page.

Go on.



Go on,

List one, list two, list some not true.

Cover that damn page if

It takes all day.

Just write.



Just write,

Then flip the page over, go dark,

List your sins, bare your heart.

Blackness inside,

Hidden.



Hidden

Where no one can see what lies foul

In your flesh, blood and bone,

Your heart, your soul.

Come in.

©2021 KT Workman


(Note: Crown Cinquain—a series of 5 (entire) Crapsey Cinquains, 25 lines total. Syllable count 2-8-6-4-2 in each stanza; written with breaks between stanzas. Rhyme is optional. The last line of the previous cinquain is repeated as the first line of the next cinquain. The final line of the last cinquain does not have to equal the first line of the first cinquain, but is optional.)

Credit for the definition goes to Abigail Gronway at Dark Side of the Moon.

Image by andreas160578 from Pixabay

An August Day

A hot August day closes its simmering drapes
Sultry darkness creeps in on silent, soggy feet
A hot August day closes its simmering drapes

The sun slinks away in temporary defeat
Mimosas curl their leaves, heave a sigh of reprieve
Sultry darkness creeps in on silent, soggy feet

Katydids, crickets, and frog’s voices interweave
A warm breeze soughs through old oaks, tickles Spanish moss
Mimosas curl their leaves, heave a sigh of reprieve

A whippoorwill calls, shedding the sun’s scorching dross
Fireflies come out of hiding, frolic in the yard
A warm breeze soughs through old oaks, tickles Spanish moss

Through the screened window, Elvis croons, that fifties bard
On the front porch, sweet iced tea caresses damp hands
Fireflies come out of hiding, frolic in the yard

Where children shout “Red Rover!” in my heart’s Southland
A hot August day closes its simmering drapes
On the front porch, sweet iced tea caresses damp hands
A hot August day closes its simmering drapes

©2021 KT Workman

(Note: A Terzanelle is a combination of the villanelle and terza rima poetic forms. It consists of 19 lines containing 5 interlocking tercets, plus a concluding quatrain, in which the 1st and 3rd lines of the 1st tercet appear as refrains. The middle line of each tercet is repeated, reappearing as the last line of the succeeding tercet, with the exception of the center line of the next-to-last stanza, which appears in the quatrain. Each line has the same metrical length.

Rhyme and refrain scheme: A-B-A, b-C-B, c-D-C, d-e-D, e-F-E, f-A-F-A [or f-F-A-A].) Definition taken from: Shadow Poetry website.)

And a special thanks to Ben Alexander at The skeptic’s kaddish whose Terzanelle inspired me.


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The Cherry on Top

She bonded to him, till death they do part,
And merry they danced to the beat of years,
And picked wildflowers as red as their hearts,
While time flowed by, unencumbered by tears.

Now clumsily they waltz, feet lost asea.
Steps turn to missteps, they cannot keep time.
Shiny love rusts away, no longer cherry.
Respect fades too, scoured in bitter brine.

Time has a way of erasing what’s good
As bad temper, bad times, roll through the home.
He shouts and curses, is constantly rude,
But she’s grown too old to think she can roam.

Patient, but not content, she holds her breath,
Waits not for love, but for respite—sweet death.

©2021 KT Workman

(Note: Shakespearean sonnet—has 14 lines divided into 3 quatrains and a couplet. Each line typically has 10 syllables written in iambic pentameter. Rhyme scheme: a-b-a-b, c-d-c-d, e-f-e-f, gg.)

Image by Clarence Alford from Pixabay